like some surrealist editor, Gaultier would cut and paste, matching up precisely those things that did not match, convinced a body could also serve as an evening jacket, a pair of jeans could also be a pair of stockings, a fitted coat could be a sweaatshirt, a thigh boot could be a cowboy boot, and a cowboy boot could just as well be made with high heels.
his taste for hybridization was to lead him to work in collaboration with aartists in many different spheres: the Rita Mitsuko group ; with the choreographer Regine Chopinot; with the accordionist Yvette Horner, grande dame of the world of popular dance,whose stage costumes he designed in 1991; and with directors like Peter Greenaway; Caro and Jeunet
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbRyFe_0Y7zjyuFp9Ro3isVwWzueOAIhNaunwi5IjbsVc1dbfPJ-0EfWwnvlVsFEzFWUA2l7BTBTsj-y3NxiO2YyI_skruH-2-NWjND5KZFlpcbuGA-O_ydvuE5e8qiFG_yrRBj2TNqJJv/s320/JeanPaulGaultierspring09.jpg)
Jean Paul Gaultier's Spring 2009 collection was a very eclectic mix of swimming costumes with built-in capes, skirts tied at the waist, worn with little tank tops, and fluid gowns, some with cinched waists.The colours ranged from black to vibrant yellows.
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