China - symbol of celebration and luck, used in many cultural ceremonies that range from funerals to weddings.
India - color of purity (used in wedding outfits).
United States - Christmas color when combined with green; Valentines Day when combined with pink; indicates stop (danger) at traffic lights.
Eastern cultures - signifies joy when combined with white.
Asia - sacred, imperial.
Western cultures - joy, happiness.
Ireland - religious significance (Protestant).
United States - inexpensive goods, Halloween (with black).
China - studies indicate this is not a good color choice for packaging, green hats mean a man's wife is cheating on him.
France - studies indicate this is not a good color choice for packaging.
India - the color of Islam.
Ireland - religious significance (Catholic).
Some tropical countries - associated with danger
Middle East - protective color.
Note: Blue is often considered to be the safest global color.
Western cultures - royalty.
Western cultures - loneliness, lifeless and loveless times or settings.
Colombia - discourages sales.
India - the color of mourning.
Eastern cultures - mourning, death.
Japan - white carnations signify death.
United States - purity (used in weddings).
Western cultures - mourning, death.
Hindu - sacred color (orangish peach color).
Korea - trust.
United States - spring, Easter; pale blue (baby blue) stands for an infant boy; pale pink stands for an infant girl.
United States - Gay pride;
Christianity; cultural unity.
princely attire, from Ruritanian ceremonial wear to military and sporting gear, with a special section devoted to the splendor of the maharajas of India.
the colour culture of Indian
Always present in Indian's main religious, personal and public life, red is a symbol of celebration, joy, good fortune and passion. In fact, the colour red is a staple in wedding cerimonies. In them, red reigns: the bride's hands and feet are decorated with colourful henna tatoos, the silk used in the garments is red, usually embroidered with gold strings, the fire - the centre of the wedding ritual - is spiked with products that turn it reder and finally, the sindoor, a red powder that symbolizes the blessing and prosperity in a marriage is applied to the bride's hair parting.
There is also a religious connotation: red is the colour of the worshipping of godess Durga, who is considered the embodiment of feminine and creative energy. The colour appears in the offerings made to her, as well as in the offerings given to us by nature: in the summer, colours become red around the indian mountains
Low chroma colors (look dull and grayish)
design feature : layering design , oversize scarf,
use high saturation of colour and tartan
Thirty Year Retrospective1983 L'Homme Objet
It's Jean Paul Gaultier's 30th anniversary, and just to prove that he's been there, done that, the playful genius sends out a retrospective of his greatest hits.
From a distressed black leather biker jacket tamed with a big black tulle skirt and black and white Converse sneakers from his first collection in '76; t
o his conical bra corset gown from '82;
to iconic pieces from his cool tattoo and piercing collection of '93;
to his Mexican corseted fantasy from the Homage to Frida Kahlo in '97;
to his 2000 couture offering of a spectacular tulle camouflage gown to his "Gitanes" Gypsy woman celebration in 2004, Gaultier has left no fashion stone unturned.
Whether it was a fascination with bondage or Hassidic Jews, Gaultier dove headlong into every sort of sartorial expression possible, and always managed to dream up new and exciting ways of dressing us up.
But the retrospective collection is followed by a new offering - an assortment of work-out inspired clothes, like little satin embroidered track jackets and shorts, all very colourful, upbeat, and disco/gym ready, complete with high heel sneakers. The runway smacks of '80s nostalgia, and celebrates the high/low mix that's become such an integral part of the way we dress today.
He even includes an extremely plump, scantily clad model named Velvet, whose turn in front of a cross-armed, seemingly unamused Anna Wintour, is a sight to behold.
"I just wanted to have fun, to really explore the kind of energy I feel around me," Gaultier enthuses post-show. "Even beyond the physical, it's always that energy we depend on for creativity."
And that's precisely what should keep this boyish genius forging ahead into the future. "It's about heart, and spirit," he laughs. "And as long as I have my brain, I'll just keep going," he promises.
Le defile- a danced fashion show based on costums Jean Paul designed especially for the performance. It created sufficient interest in France for it to be also perforned in New York.
Le defile, it hardly needs saying, was not in the traditional of classical ballet. Chopinet used videos, back projections and even non-dancers brought up on stage fom the audience- all set to created music.
Is there any reason why a man shouldn't wear feathers? dose maribou compromise musculinity? is strong olour unsuitable for male dress? Not in JPG. His philosophy of fashion is truly egalitarian: What is fashion sauce for the gander is certainly sauce for the geese in his opinion, as he proudly shows in this example from' Latin Lovers of the Forties' his Spring-Summer 1995 menswear show' for men who will nick their girlfriends' dresses'
wafting , whispering in drifts of semi-diaphanous layers over delicate fabrics, modern fashion is both more subtle and more complex than much of the high style of the past. Today , there is a lightness and fragility, a multifacted movement as different fabrics and materials are used to work with and against the body, both revealing and concealing in the change of a second.
After several seasons of over-abundance, eccentricity and the triumph of artificial over the natural, there is a strong desire to return to a state of equilibrium. Is this a reflection of the current world economic climate? Has this resulted in a wish for fashion to take things steady rather than go overboard? Or is it simply a question of pausing for thought while we mix technical and traditional once more?
It still seems some time off, but 2010's fashion trends are already emerging. With the worldwide economic crisis we aren't expecting any wardrobe revolutions in 2010, but be sure to stay ahead of the trends that do emerge be they hair, make-up, clothes or accessories
Men's suit in 2010
Picking a new suit is never an easy task; there's the cut, the fabric and the quality all to worry about. Though men's fashion trends change at a slow pace, and suits slowest of all, 2009 and 2010 will see a major move away from the monochromatic skinny-boy suit to something a lot more masculine and adventurous. But don't worry, the slim cuts aren't going anywhere.
It is always fun to see Pantone’s round up of colors from top designers. Here’s what they are seeing in fashion for Spring 2009.
From Pantone: Spring traditionally evokes a sense of freshness and new beginnings, with sprouting shoots and blossoming flowers that inspire designers to breakout of the winter doldrums. Bright colors return to the top 10 list for spring ’09, as designers incorporate vibrant pops into their collections, yet temper the vibrancy with deeper, translucent or neutral tones.
Men are wearing yellow! Yellow nail polish is finding its way to the mainstream. And yellow accessories are popping up more places than daffodils.
Spring color craving: bright green
this outfit is mainly red and gray which is in different intensity or Chroma of colour : The brightness or dullness of a color.
Chroma is the purity of a color. High chroma colors look rich and full. Low chroma colors look dull and grayish.
so , it is Mono-chromatic:
the outfit is mainly in green and brown which in the same tone.
It is Split Complimentary Color Scheme
which is similar to complimentary but chooses the adjacent colors 30º each way of the compliment.
it is Analogous Color Combination: Those that are adjacent to each other on the color wheel. They create harmonious combinations because they are relatives and have little contrast. Ex: brown and purple in this outfit which they are in the same value
the yellow colour is in small proportion in order to achieve the unity of design
this outfit use Aggressive (Warm) Colors
are based on yellows, oranges, browns, yellowish greens, orangish reds, and the like.
It is Analogic Color Scheme, since there are brown and orange colour which they are in same value, while there is 2 different brown colour which they are using different value, it is mono-chromatic scheme.
it is mono-chromatic scheme, which the brown colour are in different value( lightness and darkness)
the dress and the top are in same hue but in different value
It is Monochromatic Color Scheme
these two outfits, Gautier used different line which are in complimentary colour of the others . The small proportion of using complimentory colour which is in order to give audience a flesh feeling. while the main colour the outfit use is brown which are in different value( different
lightness or darkness )
While models in Jean Paul Gaultier's Spring 2009 couture collection waltzed down the runway, an image of a pen-and-ink going through strange computer-generated distortions played in the background.
Not surprisingly, his inspiration lay in the age old art of calligraphy (abstract, of course, with loops and swooshes morphing into hard lines and crested edges).
However, on second glance, each piece in the collection looked more like a guided walking tour of Wells Cathedral, the most poetic of the English cathedrals (known for its early Gothic interior and signature 'scissor arches.')
Gaultier introduced his dreamy couture creations that featured see-through fabrics, fishnets, embroideries, and high-waisted skirts and pants that illustrated the mastery of his craftsmanship.
The colour theories applied: it is mainly achromatic .Lace and embroidery were just some of the exclusive, meticulous details which came in black and white, like ink on paper.
For the rest of my thoughts on the show, just read more.
Indeed there was a lot of sheer in the collection as Gaultier's cheeky playfulness shone through. There was an undeniable '80s vibe with power shoulders on power suits and Madonna style bodice . The '80s influence was confirmed when ex-Chanel model Ines de la Fressange ended the show.